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The Silver Wolf by Rob Sinclair (Bloodhound Books)

Over the last couple of years, I’ve always waited in eager anticipation of Rob Sinclair’s next novel. Having read his debut novel, Dance With The Enemy, the first in the Carl Logan series, I was fully invested in Logan’s story. The transition from Carl Logan to James Ryker has been brilliantly executed by Sinclair and I was very much looking forward to reading The Silver Wolf.

In the third book in this series, James Ryker wants answers following the disappearance of the love of his life, Lisa. An attack on Ryker’s former employers, the Joint Intelligence Agency, distracts Ryker from his mission to find those responsible for Lisa’s disappearance but are the two inextricably linked? A twisted web of seemingly unconnected events all seems to come back to one name, an enigma called The Silver Wolf.

What I love about this character is that he is always so near, yet so far, to a happy ending, which gives him an unpredictable edge. As a reader, you never quite know if Ryker’s hot-headedness will overcome him and put him in danger and Sinclair plays on this so well by creating events that could send Ryker either way, building up a deliciously suspenseful read.

Ryker is also an impeccable, supposedly-former, agent with razor-sharp instincts, so he can demonstrate moments of brilliance to either solve a puzzle or extract himself from danger. He can also endure various torturous situations which Sinclair portrays in wonderfully gory detail. Surrounded by characters that ground him or rile him, exchanges with Ryker are never arbitrary, as they carry the plot forward, or add to the intrigue of who Ryker can or cannot trust.

Sinclair has generated a lovable, yet deeply flawed, character who readers instantly champion. He’s rarely smug and doesn’t feel sorry for himself; he’s almost resigned to the fact that he is never going to escape the tough life he has found himself in and the elusive happy ending seems just out of reach for him, which makes the reader sympathise with him. All this just keeps the reader wanting more and more. I sincerely hope this isn’t the last James Ryker novel, but if it is, what a brilliant last novel to finish the character on. Needless to say, I’ll be looking forward to reading the next Rob Sinclair novel.

Links:

https://www.amazon.co.uk/Rob-Sinclair/e/B00LFXNU76/ref=sr_ntt_srch_lnk_1?qid=1488963366&sr=8-1

https://www.facebook.com/robsinclairauthor/?fref=ts

https://twitter.com/RSinclairAuthor

http://www.robsinclairauthor.com/

Interview – Matt Johnson – author of Wicked Game, Deadly Game and End Game (Orenda Books)

Matt Johnson is the critically acclaimed author of Wicked Game,Deadly Game and the upcoming final chapter in the trilogy, End Game (published by Orenda Books), crime thriller novels about Robert Finlay, an ex-SAS soldier and policeman, who suffers from Post Traumatic Stress Disorder (PTSD). Matt has very kindly agreed to an interview with me alongside the cover reveal for End Game.

Hi Matt. Tell me about Robert Finlay, the main protagonist in your first two novels, Wicked Game and Deadly Game:

I’m not too sure where Finlay’s character came from, Lisa. He certainly wasn’t planned. I started writing many years ago, not with the intention of writing a book but as a therapy, a means suggested by a counsellor to address the PTSD I had been diagnosed with. At that time I wrote about my symptoms, their causes, and about my career in the Army and police. It was only much later that the idea came about to use the notes that resulted to create a crime thriller. As I wrote, Finlay evolved as the main protagonist of the story. He isn’t me, and Wicked Game isn’t an autobiography, but I have used many of my personal career experiences in the telling of his story.

Finlay, like me, is a soldier who became a cop. Unlike me, he faces a threat from his past when terrorists discover his identity and that of friends from a similar special-forces background. His story is authentic, but the events in Wicked Game are, of course, fictional.

Finlay’s battle with PTSD is largely based on your own struggle with the disorder. How cathartic has the process of putting your experiences on paper been, albeit from a fictional standpoint?

It was very cathartic. At the time, and particularly when I started, I found it very challenging. Recording events in words, thinking about them, finding the right way to describe them and then writing about me, how I felt, how I reacted, how I was affected, it all served to compel me to unearth and address emotional issues that had built up over many years. I have likened it to the de-fragmentation of a hard disk on a pc, the before and after, where the result is a disc (or brain) that can function better for having undertaken the process.

As I’ve mentioned in my reviews of your books on Segnalibro.co.uk, I love the character of Jenny, Finlay’s wife. In my opinion, she offers the reader an insight to Finlay that illuminates his struggle from the viewpoint of someone who likely knows him better than himself. Was this your intention for Jenny, or was she purely there to be Finlay’s raison d’etre?

From the feedback I’ve received I think you are not alone. People like Jenny. I created her as Finlay’s rock, the woman he turns to when he needs solid advice, and also as the life-partner he is motivated to protect. I didn’t want him to be a character that only had himself to worry about and as a result might act in a way that was perhaps too heroic or too cavalier. I wanted him to have to think about the effect his actions and decisions would have on others and to have that influence him. I also wanted a third-person view on the troubled character, to show what he cannot see of himself, and to care enough about him that she is prepared to also take risks. It was also important to me that Finlay and Jenny have a strong, caring relationship; characters to whom loyalty is important.

Have you known Finlay’s end game from book one or has your direction changed at all for Finlay’s story?

I’ve had a rough idea of where the story is heading, and it was always my intention to tell it over the course of a trilogy. Having said that, the story has evolved in the telling and the editing process has brought about several changes I didn’t foresee at the beginning.

What is your day to day writing process?

Pretty disorganised but I’m getting better. Wicked Game was written ‘on the hoof’ so to speak. The story developed as I wrote. By the time I started book two, I realised I was going to have to be more organised and, for book three, I became yet more disciplined. I have a daily target of one thousand words – which I seldom meet – but I’ve now learned to create a storyboard which I loosely follow as the narrative unfolds. I take my time and frequently take a break to go back and re-assess where I have reached. Often this produces new ideas that can change the story quite markedly.

I write creatively in the afternoon and evening. Mornings tend to be saved for emails, personal work and social media. I also like to get out as often as I can and will break off to give my dogs another walk up ‘the mountain’ where I do my best thinking. And I always try to carry a small digital recorder to save those little ideas that pop into the brain unexpectedly.

Who are your writing inspirations and why?

I was actually inspired to write by a series of events. To cut a long story short, I let a colleague down during the 1980s when I failed to recognise his PTSD. Many years later when I also became a victim I promised myself I would try to make amends for that failure by bringing the realities of the condition to the attention of people through the medium of fiction. So, it was that experience which inspired me to write.

In terms of role models, it’s a much harder question as, immediately before I started writing, I read very few books and I favoured non-fiction. I was a ‘holidays only’ reader of, perhaps three or four books a year. In my twenties and thirties I used to read a lot more, enjoying the work of James Herbert, Isaac Asimov, James Patterson and Paulo Coelho, amongst others.

Favourite author? Probably Lee Child.

How important is social media, and reviews by bloggers like myself, to you? 

Social media is really an essential writer’s tool. Without it, building a readership can be a very slow process indeed and interacting with readers is now so much easier – if time consuming! I learn from readers all the time and I read all my reviews. If someone likes the books I want to know what I did right – so I can repeat it – and if they have a constructive criticism I will also pay heed to it.

Book bloggers are something of a new phenomenon. I’ve heard mixed points of view from my fellow writers. Some think that the blogging world is very insular with bloggers essentially writing to a small audience who read each others blogs. Others, myself included, subscribe to the notion that book blogging is a growing medium that readers are now starting to cotton onto. Review sites like Goodreads and Amazon have their uses but, for those readers who want a more in-depth analysis of a book – that they are about to commit several days of their precious time to read – the blog is a growing source of a reliable assessment.

You tackle some real political hot potatoes in your novels, such as international terrorism and people trafficking. What do you do in terms of research when writing on such big issues?

Having spent the bulk of my working life dealing with such crimes, much of my fiction is based on my own experience of the realities of such subjects. Add in the fact that I’m also fortunate enough to have a good network of colleagues who are still in the police and related services and you’ll quickly see where I go when I need an idea or an answer to a question.

And then there is my natural detective’s curiosity. I read about current affairs and I explore every medium I can to learn more about subjects that capture my interest. Often this produces ideas, some of which I incorporate within my own work.

Wicked Game was self-published initially until Orenda Books weaved their magic over what was already a great narrative. To any aspiring author, what advice would you give on publishing their first novel?

If self-publishing I would advocate checking and re-checking your work before you press that ‘publish’ button. Check grammar, spelling etc. Check formatting, check layout, check everything and then get another set of eyes to re-check it. Nothing seems to frustrate readers more than having to fight through a badly proofed novel in order to try and get into what might be a really excellent story.

If commercially published, I’d say to trust the team around you. As a new writer I was initially somewhat alarmed by the way things can be taken out of your hands. Jacket design, marketing, price-setting and all manner of other decisions are made by others. Editing is also a real skill. What I’ve learned is that all the people involved in getting your book onto the shelves are very skilled and very professional, and by the time your ‘baby’ is ready for publication they have as much invested in it as you do – more, if you include the financial investment of your publisher. Trust them, they want it to succeed just as much as you do.

You’re currently finalising book three. Can you give us any information on what we can expect from Finlay in this next instalment?

Book three is called ‘End Game’ and is the final part of the Wicked Game trilogy describing the world of the Intelligence Services that Finlay and his former friends have entered into conflict with.

In this book, Finlay finds himself an outcast from the police service as he battles to clear a friend who has been imprisoned and falsely accused of a most serious crime.

‘End Game’ will take the reader into the world of the Hostage Negotiator and MI5, the Security Service, as I tackle issues of mental health in policing, betrayal, loyalty and the true meaning of courage.

Will this be Finlay’s last story or does he have more tales to tell?

I’m not sure. Certainly, I have sketched-out ideas for three more novels and one non-fiction book. I would like to see Finlay at the centre of these stories but whether he is, well, we will have to see.

For readers like myself who are eager to read Finlay’s next story, when will book three be published?

The publication target, I understand, is Feb/March 2018.

Thank you so much, Matt, for answering my questions. I look forward to reading End Game soon.

CWA Anthology of Short Stories – Mystery Tour – Edited by Martin Edwards (Orenda Books)

I don’t read a lot of short stories. Not because I don’t like them, more that I enjoy immersing myself in a longer narrative that will give me hours of reading pleasure. However, I have read two lots of short story anthologies recently and I have enjoyed them both immensely. The first was Reader, I Married Him, a collection of short stories with some connection (some barely recognisable) to the Charlotte Bronte classic, Jane Eyre. The most recent anthology was the the CWA Anthology of Short Stories – Mystery Tour. What struck me about both collections is the diversity of stories that have emerged by the various authors when given the same theme. This review is for the latter collection. The authors of the CWA Anthology of Short Stories – Mystery Tour were given the theme of travel to write a short crime/mystery story.

There wasn’t a single story I didn’t enjoy in this anthology, which is testament to whoever selected the stories to put in it. All the stories are very different but each is intriguing and engaging, with different angles on the theme of the collection. Of course, the authors are all members of the Crime Writers Association, so there is an expectation that the writing will be quality crime fiction, but there are no disappointments at all in this collection, each story individual but with a shared sense of trepidation for the reader as each story commences and surprise at the conclusion  (or lack thereof).

Although I enjoyed all of the stories, I had a few favourites in the collection. The Queen of Mystery by Ann Cleeves gets the anthology off to a brilliant start with an unusual turn of events. Her first person narrative gives off no clues as to how the story will pan out. Return to the Lake by Anna Mazzola is heart-rending, as is You’ll Be Dead By Dawn by C.L.Taylor, a wonderful achievement for such short narratives.

The Last Supper by Carol Ann Davis made me smile, a gem of a crime story with the ability to amuse. Similarly, Ed James’s contribution Travel Is Dangerous with his wonderful DS Scott Cullen character, a character I have come to know and love from James’s series, also provides some comedy in the dynamic between Cullen and his nemesis and former boss DS Brian Bain, alongside a great mystery story.

I liked the sense of vindication in High Flyer by Chris Simms, Wife on Tour by Julia Crouch and The Repentance Wood by Martin Edwards, highlighting the lengths people might go to when they have felt diminished by those around them.

Three On A Trail by Michael Stanley adds a little extra to the standard mystery (though I’m not going to say what that is). Having loved the recent Dectective Kubu novels released by Orenda Books, I’m already a fan of the writing duo that it was no surprise to enjoy this gripping short story. I also enjoyed the short, but sweet contribution by another Orenda stalwart, Ragnar Jonasson, whose letter from a traveller to his mother combines intrigue and the beautiful Icelandic landscape to  provide a chilling mystery.

If I had to pick one favourite, however, it would have to be No Way Back from J.M.Hewitt. This story was particularly memorable and hard-hitting, shocking and beautifully written, to fully encompass the theme of travel with a frighteningly murderous plot. There’s not a lot I can say about it without giving too much away, other than to say it is a fantastic short story. I have J.M. Hewitt’s novel, Exclusion Zone, on my kindle and will definitely be boosting it up my extensive TBR list, having enjoyed this story so much.

Overall, I have thoroughly enjoyed reading this collection of stories which provides the reader with myriad stories that gives short, sharp bursts of mystery-filled tales. Whilst I enjoy a more lengthy, character-building, plot-twisting narrative, what these authors have managed to achieve in such a short amount of words is nothing short of genius. What I have also found is that it will give you a taster by authors who you may not have previously read to entice you into reading their longer works. The compilation of the stories is perfectly balanced between totally shocking stories, amusing mysteries, and good old-fashioned detective tales. I look forward to reading more short story anthologies in the future.

 

Stella Sky One – The Perfect Ending ❤️

About 18 months ago, I wrote a post about the end of Stella Season 5, imploring Ruth Jones to bring back the wonderful characters of Pontyberry, when there was doubt as to whether the show could carry on with the death of Stella’s first true love, Rob Morgan. Stella Sky One – My Thoughts and a Plea to Ruth Jones I thought it could. Despite being Team Rob all along (and still am😉), I felt it was the right decision to kill him off and let Stella have a life with Michael. I pondered the idea that Rob could return as a confidante to Stella in ghostly form (so pleased I got my wish!)

After watching this final series, Ruth Jones having made it clear that at this was the end, I have loved seeing Stella and Michael battle over the revelation that Rob was baby Holly’s dad, in a twist that I didn’t see coming at all. I was strangely pleased that Holly was Rob’s (see, always Team Rob) and whilst I never really bought into the idea that Stella and Michael wouldn’t find their way back to each other, the final episode was sheer writing perfection to draw everything to a stunning conclusion that leaves everyone satisfied, though not without it’s drama. I did wonder if Stella would just walk away with Rob, adding a real definitive finality to the series, but I’m glad she didn’t.

I have watched every episode of Stella right from the first episode and I have loved every single minute of it. Ruth Jones is immensely talented, having written a wonderful series and played Stella so beautifully. She has given each and every cast member their own unique identity that even when they play a tiny role in a scene, it gives so much viewing pleasure. A gutteral noise from Auntie Brenda, a gasp from Bobby, a “that’s disgusting” from Nadine, or a “cock” from Rhian adds such humour to a scene, it is impossible not to smile.

There has been lots of laughter over the years, but there have also been tears. Craig Gallivan has made me cry the most. He’s had some harrowing scenes to film over the six seasons and he is a wonderful actor. His “don’t make me into a f**king orphan” speech tonight had me in floods again. To have a show generate such warmth for its characters from its viewers is a wonder to behold and a show that can initiate a myriad emotions in an hour is genius.

I argued for Stella last year that for those who felt it was getting boring perhaps were not seeing the value in the community of Pontyberry as it is. The dynamic between the characters was enough to keep me invested regardless of the plot, although personally I have not felt there has been a dip in the plot anyway. Is now the right time to draw it to a close? Ruth Jones seems to think so. I could have watched more series of it had tonight’s ending not played out as it did.

However, what Ruth Jones did in tonight’s episode was a stroke of genius. She gave Stella the perfect ending. No loose ends, no what if’s (as Rob said, “it’s the here and now that matters” – I might be paraphrasing here), and an ending that leaves the viewer feeling that if there is no more Stella, as Ruth Jones has indicated, there were no unanswered questions to frustrate, as is common in many dramas. 

I’m terribly sad to see it end, but I’m happy in the knowledge that my box sets will be like old friends to comfort and amuse whenever the mood takes me. I have favourite episodes that already I watch again and again. They all have a strong Rob presence, I admit. To name but a few, the one when Luke fights Lenny, when Emma has her baby, when Rob dies, and tonight’s episode will undoubtedly join that list.

Thank you to the wonderful actors who brought these vibrant, funny, multi-layered characters to life. You have, and will continue to make me laugh and cry. Biggest thanks goes to Ruth Jones though, who has written this stunning masterpiece that has the perfect mix of quirky humour and overwhelming poignancy that has left me rather emotional yet again. I look forward to reading the novels that Ruth Jones is currently writing and doing what I normally do on this site and reviewing her books. To date, Stella has been the only TV programme to inspire me to review it. There’s a good reason for that: because I’ve cockin’ loved every minute of it, presh! So long, Stella. You will be missed.

Maria In The Moon by Louise Beech  (Orenda Books)

Last year, I was introduced to Louise Beech’s writing with the stunning How To Be Brave. The Mountain In My Shoe was a superb follow-up and I have been eagerly awaiting my chance to read the next Louise Beech masterpiece, Maria In The Moon. Apart from being one of the loveliest ladies I have ever had the pleasure to meet, she is a beautiful writer who grabs her readers by the heartstrings and moves them to tears, yet somehow manages to uplift them at the same time through the sheer grunt and determination of her characters. So when I say that Maria In The Moon has been the one book I have been waiting to read all year, you can take that to the Bank.

Maria In The Moon is set in Hull in the aftermath of the terrible floods from a few years back. Catherine has been forced out of her home whilst repairs are taking place for the flood damage and she is living above a Chinese takeaway with her best friend, Fern. Catherine decides to take a volunteer job at a flood crisis helpline, for reasons she can’t quite grasp onto, having had experience working with crisis helplines before that left her with terrible nightmares. When a chance question in her induction encourages her to remember memories from when she was nine years old, she is confused as to why she cannot remember anything from her ninth year, only the years before and after. As Catherine tries to uncover the mystery of what happened in her missing year, she finds herself considering the people in her life and how they have influenced her, and the choices she has made. As memories return and she is forced to confront her demons, Catherine’s life is turned upside down.

As mentioned previously, Beech is particularly good at writing feisty main characters, from Rose in How To Be Brave, to Conor and Bernadette in The Mountain In My Shoe. Catherine is equally, if not more, feisty and even at the times when she seems a little abrupt and aloof, the reader feels a sympathy with her before they even realise why. Beech is able to instill a depth to Catherine that transcends her smart mouth and shows a sense of vulnerability that instantly warms the reader to her and invests them into wanting to know her story.

In the backdrop of flood-damaged Hull, Beech speaks from the heart, having been a victim of the floods herself, and reminds the reader of the impact it had on the residents of those people whose properties were damaged, from an emotional, financial and practical point of view. Catherine is depicted as being quite pragmatic a lot of the time, but there is an undercurrent of frustration and sadness which adds another layer of intrigue to Catherine.

Beech’s narratives are funny, poignant completely gripping. It never takes me long to finish her novels as, quite frankly, I can’t put them down. They are also easily readable multiple times. To me, if a novel can make you laugh, cry and want to read it all over again, it is a perfect reading experience. This is what you get with a Louise Beech novel each and every time. There’s enough mystery within the plot to drive the narrative forward and to keep the reader guessing but it is the characters themselves who generate the desire within the reader to learn more, right from the first page.

Louise Beech has yet again written a completely satisfying read. I have yet to I find a single, even tiny, flaw with her novels; no sense that it could have been improved in any way. Of course, it’s an Orenda Books novel and this is a commonality amongst the books published by Orenda, but three novels in and I continue to be blown away by Beech’s writing. I hope to meet Louise again soon at another book signing so I can tell her face to face how much I enjoyed Maria In The Moon but in the meantime, I will be recommending this book to whoever I can. Having already purchased it for my friend’s birthday, I’m looking forward to hearing about how she loved it, as I am sure she, and anyone else who reads it, will. I look forward to the next Louise Beech perfect read.

House of Spines by Michael J. Malone (Orenda Books)

One of my favourite reads of 2016 was undoubtedly A Suitable Lie by Michael J. Malone. It was the only book I’ve ever read that tackled the taboo subject of male spousal abuse. Malone handled this rarely mentioned subject with such sensitivity, with a plot that gave the reader plenty of food for thought. I wondered if the brilliance of this novel could possibly be replicated in further novels, considering that A Suitable Lie was so unusual. I was certainly looking forward to reading Malone’s next novel, House of Spines.

The title itself is intriguing, before the ‘spine’ has even been cracked. It makes perfect sense as you read through, but I won’t spoil it for any future readers. Ranald McGhie finds himself as the sole inheritor of a grand mansion on the outskirts of Glasgow, bequeathed to him by Great-Uncle Alexander Fitzpatrick, someone who, until this juncture, he has never heard of. Not without his own personal struggles, having been previously diagnosed as being bipolar, Ranald moves in to the old house that appears to have a sense of foreboding surrounding it. As Ranald finds his way round the huge house, and meets the strange housekeeper Mrs Hackett and her husband Danny, who tends to the gardens, he wonders if it is the house’s secrets or the symptoms of his bipolar condition, are causing him to feel uneasy and to imagine strange goings-on at Newton Hall. As he ingratiates himself with the locals, in particular, an insatiable woman called Liz, Ranald begins to worry that this windfall may be bad for his health.

Malone entices the reader from the get-go. With an opening prologue of a strange childhood memory from Ranald’s past, the reader instantly throws Ranald’s reliability as a narrator into question. This continues throughout, and even when you think you have it all figured out, something happens to confuse the situation. Flashbacks to the past in the memories of the locals and of Alexander’s letters serve to inform but again, they are not reliable witness statements, and Malone cleverly uses these to further cast doubt as to what is really going on.

What Malone is really good at, is taking a flawed character, usually by circumstance rather than a self-inflicted cause, and making the reader sympathise with them whilst not completely trusting their instincts. I was desperate for Ranald to take certain courses of action to try and get to the bottom of the situation, not least because, like Ranald, I was fighting between rational and irrational thought. Things that couldn’t possibly happen had no plausible explanations. The balance between rationality and irrationality fluctuates throughout which gives this book a real edge and a desire to read it from cover to cover in one sitting. Thank God for annual leave so I could indulge myself with a one sitting read of this book, as I think I’d have been going to work like a zombie because there is no way I could have put this book down. 

Malone builds up the tension throughout, using the grandeur and antiquity of the grand mansion to further add an air of oddity to the events that take place. Ranald’s lack of close personal relationships blankets any sense of clarity by his friends. His ex-wife, Martie, and his ex-neighbour and unofficial surrogate mum, provides guarded insights to Ranald’s past and his state of mind, but they cause more doubt in the readers mind than answers to what may actually be going on. The apparent close-knit community of the small village adds an atmosphere of chequered history for the Fitzpatrick family, but again, the inhabitants are quite guarded so any information gleaned from them adds a small clue rather than a proper revelation.

House of Spines is a wonderfully written novel by an author who is fast becoming a favourite of mine. After finishing this book, I was reminded of how I felt when I finished Affinity by Sarah Waters. I wanted to be able to unread it, so I could enjoy the experience of reading it again, completely unaware of the ending. Not only is this a brilliant novel, the reading experience itself is phenomenal. At once, it is mindblowing, thrilling, shocking, confusing, and gripping from end to end. I read most of Orenda Books publications, and I wonder at what point I’ll read a book by Orenda where I won’t be completely floored by it. House of Spines is undoubtedly one of the best books I’ve read by Orenda, and indeed by any other publisher, for a very long time. I’m truly honoured to have been given the opportunity to be part of this blog tour. 

Dying To Live by Michael Stanley (Orenda Books)

A few months ago, I read Deadly Harvest, the first Detective Kubu novel published by Orenda Books, and I loved it, a great crime novel set in Botswana. I was really excited to read another Detective ‘Kubu’ Bengu crime story. 

In Dying To Live, Kubu is battling demons on a personal, as well as professional, level. Whilst a bushman, Heiseb, who appears older than you would assume is physically possible, is found murdered in the desert, Kubu’s adopted HIV positive daughter is fighting for her life, as her retrovirals start to fail. As in Deadly Harvest, muti, witch doctor potions, are heavily featured throughout the narrative. As Kubu and his colleague, Samantha Khama, try to find out who killed Heiseb, the disappearance of a prolific witch doctor seems too much of a coincidence.

As with Deadly Harvest, Dying to Live is a gripping crime novel, and while it is quite slow paced (mirroring the Botswanaian lifestyle), the plot is fascinating as it offers clues and red herrings throughout. The modern versus traditional lifestyle is juxtaposed beautifully and as even Kubu begins to wonder if muti could help his sick daughter. The writing duo, Michael Sears and Stanley Trollope, writing under the pseudonym Michael Stanley, have created a wonderful main protagonist in Kubu and a formidable sidekick in Khama, that the reader cannot help but want them to succeed. Restricted as they are by their location and the mindset of the traditionalist inhabitants, they always seem to get their answers one way or another.

A number of characters are introduced, both to inform and to confuse the reader into what these crimes are all about. The various characters are from a variety of backgrounds, traditional and modern, and the reader is left wondering just who the criminals are. 

Dying To Live is a fantastic novel, which is, of course, what we have come to expect from a book published by Orenda Books. Kubu is a really endearing character and there are times in this novel where I wanted to give him a big hug. These novels entice the reader with a beautifully written narrative and an engaging plot. I look forward to reading the next Michael Stanley collaboration.