The Last Days of Disco and The Rise and Fall of the Miraculous Vespa’s have been two of my favourite books of the last two years. I have been looking forward to reading the final book in the Disco Days trilogy, The Man Who Loved Islands, whilst feeling a bit sad that this is the last one. However, I knew that it would be a fitting end to what has been a brilliant series.
Bobby Cassidy and Joey Miller, once best friends, now barely acquaintances, have slowly come to realise that while they have followed their passions, now middle-aged, life has left them behind and they are depressed at the thought that their best years are behind them with nothing to look forward to but loneliness and eventual death. Having both reached an impasse in their respective lives, with health problems looming over them and career satisfaction a thing of the past, they are forced to re-assess where it all went wrong and to try to make things right. They need to find a common purpose, and using contacts from their past lives, including the mad, but hilariously funny, Max Mojo, former manager of the Miraculous Vespas, Bobby and Joey embark on a challenge of a lifetime, to try and right some wrongs and to secure a future for them both.
The Man Who Loved Islands, like the first two books, is a political and social commentary using the predominantly working class characters to highlight what it is like to make your own destiny in the face of social adversity. Ross discusses crippling mental illness, overwhelming loneliness, ambition and the ties of family in good times and bad, with a remarkable honesty. What Ross does so beautifully is that he creates a narrative with the perfect balance of poignancy and hilarity that keeps the reader invested in his characters and they will laugh and cry with each emotionally charged chapter.
The soundtrack to each novel is integral to the action on the page and in The Man Who Loved Islands, this is no different. Ross threads classic songs throughout the narrative to add another layer to the story. Much like a film creates an emotional connection by its soundtrack, so too does the song choices in Ross’s novels. Of course, Bobby is a DJ, and Max Mojo is a band manager, so music is an important aspect of the plot anyway, but the choice of songs is key, provoking a memory in the reader or placing the action at a particular time or location, and as much as the reader is mentally reading the novel in a Scottish accent (that might just be me), they are also mentally listening to the soundtrack as they read, which undoubtedly enhances the reading experience.
Ross also takes advantage of the locations in which his novels are set. Most notably in The Man Who Loved Islands, is the use of the Ailsa Craig as the location of Bobby and Joey’s challenge. Ailsa Craig reflects a monument that stands the test of time despite being battered by the elements and the wildlife, perhaps in the same way that the friendships within the trilogy survive despite taking a severe beating over the years. Bobby and Joey have had a turbulent relationship since they parted ways in their late teens but they remain fiercely loyal to each other, often despite themselves. Even Max Mojo, who looks after himself first, also seems to look after those who have helped him over the years, even if it is not always intentional.
The Man Who Loved Islands is a story about what happens when you have fought for your dreams against all odds, but have squandered friendships along the way, finding yourself lonely, regretful and unhappy. All the characters are perched on a knife-edge and their fortunes could go either way with every decision that they make, but ultimately, they have reached middle age and something is missing. Ross has finished off this trilogy in tremendous fashion. As we have come to expect from Ross, the plot lines have been intricately woven, and have been tied up beautifully in this last novel in the trilogy. Among the humour and the sadness, Ross injects hope into his novels and even when there seems to be no way back, the spirit of the characters in adversity as they rally each other in their own inimitable way, encourages the reader to see that everyone has the opportunity to change their trajectory.
Looking at the trilogy as a whole, this is a fantastic politically, socially and musically influenced set of novels about growing up and out of Ayrshire in the 80’s and revisiting the characters in the present day to see how they did. I love a book that can make me laugh out loud in one chapter and make me an emotional wreck in the next and every single book in this trilogy has had this effect on me. I have enjoyed every single page of these novels, from the nostalgia filled first book to the reality check third novel and I’m sorry that it is all over. I’m very much looking forward to reading future David F Ross novels, but I will be undoubtedly be revisiting this trilogy in the future as these novels have become firm favourites.